Last week, in a post entitled “The Book Industry’s Moneyball,” I blogged about the origins of my interest in algorithmic culture — the use of computational processes to sort, classify, and hierarchize people, places, objects, and ideas.  There I discussed a study published in 1932, the so-called “Cheney Report,” which imagined a highly networked book industry whose decisions were driven exclusively by “facts,” or in contemporary terms, “information.” It occurred to me, in thinking through the matter more this week, that the Cheney Report wasn’t the only way in which I stumbled on to the topic of algorithmic culture.  Something else...

Does self-publishing represent a threat to traditional publishers, or perhaps an opportunity? A number of people in the publishing industry seem dismissive of self-publishing writers or their numbers. But Philip Jones of FutureBook thinks that this is a mistake. He notes that readers who buy cheap self-published books will be spending time reading them that they might otherwise have spent reading more expensive works from traditional publishers. What strikes me most about indie writers, however, is not what they write, but how they publish it. Konrath may be a 'downmarket' writer for some, but he is...

Amazon has been racking up a reputation as “the enemy” in publishing circles. That has led to a sort of “with us or against us” mentality in which any formerly respected person who is seen to work with Amazon in any capacity whatsoever suddenly gets tarred with that brush. It happened with Larry Kirshbaum, the long-time publishing-industry exec and agent who Amazon tapped to run its publishing subsidiary, who Mike Shatzkin says “has gone from one of the most well-liked people in publishing to the one of the most reviled.” And PaidContent’s Laura Hazard Owen reports it seems...

Publishers Weekly reports that the American Booksellers Association has become the latest bookstore entity to join the boycott of books produced by Amazon’s publishing arm. Indeed, the ABA’s for-profit subsidiary, IndieCommerce, has begun removing those titles from its database. IndieCommerce director Matt Supko wrote in an email announcement that the move was in response to Amazon’s policy of “locking in e-book exclusives which other retailers are not allowed to sell.” IndieCommerce has adopted a new policy of listing only “titles that are made available to retailers for sale in all available formats”. Individual bookstores can still choose to carry...

Are Barnes & Noble, Books a Million, and Indigo making a wise move by not carrying the books from Amazon’s publishing arm, or are they cutting off their noses to spite their faces? This is the question that Mike Shatzkin addresses in his latest column. He notes that a reporter contacted him, undoubtedly expecting the same sort of attacks on the move posted by some major media outlets, and was rather surprised when Shatzkin said that, from a self-interested point of view, the decision made perfect sense. Shatzkin recapitulates the recent history between Amazon, the Big Six publishers, and...

Last week’s issue of Bloomberg’s Businessweek included an article titled Amazon’s Hitman. If you haven’t read it, you should. It is enlightening. The gist of the article is that Amazon is gearing up to challenge the publishing world on its own turf: the signing of and creation of big-name authors who sell hundreds of thousands, if not millions, of books. And this assault worries the Big 6 publishers — Hachette, Macmillan, Simon & Schuster, Penguin, Random House, and Harper-Collins – with good reason: Amazon has more market value and disposable cash than they do combined. The article discusses the history of the relationship between...

From the press release: Copia, the interactive eBookstore, announced that music critic Will Hermes will answer reader questions inside his book, the acclaimed Love Goes to Buildings on Fire. Starting today, anyone who purchases a copy of Hermes's much-lauded book from Copia can use the site's free eReader app to post questions to the author in the margins of the eBook. Hermes will respond to the questions through Feb. 21, 2012. While users have always been able to create and share notes on any eBook purchased from Copia, thanks to the platform's app,...

From The Bookseller: Self-published crime writer Kerry Wilkinson claimed the top spot in the UK Kindle bestseller chart for the last quarter of 2011, Amazon has revealed, as speculation mounts that the online retailer is planning to open its own physical store to push its exclusive book sales. Wilkinson, from Lancashire, published his novel Locked In, one of a series featuring detective Jessica Daniel, using Amazon’s Kindle Direct Publishing tool, and sold “hundred of thousands of copies” of it in the three months before Christmas, according to Amazon. The e-book is currently selling for 98p and...

That's the title of an article in the [e-reads] blog: Despite the gloomy talk about the death of the book it’s pretty clear that printed books serve an essential function in our culture and will always be with us. For those who greet this statement skepticism, we reiterate that there is nothing wrong with printed books – just the way they are distributed. The big difference between the past and the present is that for the first time in history, printed books are optional. The implications of this fact are profound. Until very recently the only mode for publishers to introduce content was...

From the Sourcebooks blog comes this article by Dominique Raccah. There are loads of things that are interesting about ebooks. One of them is that you can fairly easily change the price of an ebook. So how eBooks are priced and why has to be a major aspect of any publisher’s (or author’s) strategy. Pricing (as lots of people have talked about and discovered) is also one way to get your book or author discovered. But there's also been a conversation going on that free doesn’t work any more and there are loads of opinions about why...

How can publishers create graphical e-books without a lot of duplicated effort? That’s the question posed by Richard Stephenson on FutureBook in a post about the different approaches taken by Amazon, Barnes & Noble, and Apple for displaying fixed-layout graphical content on their e-readers: Amazon's Kindle format 8 (KF8) relies on a completely separate process to create a fixed layout e-book than Apple's version of fixed layout for titles that are design-led e-books. Both are based on XHTML, but there are important differences in how pages are laid out. With KF8, each page has to be...

Canadian bookstore chain Indigo has added its voice to Barnes & Noble and Books a Million in stating that it will not carry books published by Amazon’s publishing imprint, the Globe and Mail reports. Indigo issued the standard statement decrying Amazon’s predatory tactics and congratulating Barnes & Noble for “taking a leadership stance on the matter.” Not too surprising, especially given that Indigo was the creator of Kobo, one of the only serious e-book competitors Amazon has. The Globe and Mail article characterizes this as a “setback” for Amazon, and quotes the Wall Street Journal that this is “sending...