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My younger brother is dyslexic, and an avid consumer of audiobooks on tape and CD. (He’s been unable to get too comfortable with digital downloads and streaming yet, but he’s getting there.)

He’s probably digested more books than any other member of my family besides me. (Thrillers and detective fiction mostly.) And naturally, he borrows a lot from the library.

Hampshire local libraries, as it happens, have an appropriately substantial legacy in their audio collections of tapes and CDs. Cases are often worn and tattered, and in any case are bulky, awkward and hugely inconvenient to put away or to travel with. Not to mention the growing difficulty in finding devices to play the tapes. The photo at right, for instance, is a good example of a  typical Hampshire County Libraries story tape.

libary

That got me thinking: How are libraries everywhere dealing with their legacy audio collections in older media? What kind of investments, if any, are they making in digitization or replacement programs? What are they doing to assist and educate readers who might need help in making the transition to new habits and new resources? I’d welcome feedback from those who know.

One thing I’m very much afraid won’t be happening, in the UK at least, is well-financed digital modernization programs. With cuts in even basic library services in full swing, that would be a lot to hope for. And I have a nasty suspicion that it’ll turn into a self-fulfilling prophecy, especially for audio materials, with patrons being driven away by outdated collections, and politicians and local authorities then using the low usage levels as a pretext to cut support still further.

With corporate social responsibility a mantra in practically every boardroom worldwide, and the Big Five’s reputation close to rock bottom post the Apple anti-trust case, as well as Amazon’s off the back of bookshop closures and disclosures around its tax practices, wouldn’t it be a service to the community if digital rights holders were to give away free soft copies of story tapes to any library that held them? Under whatever DRM or limited lending scheme those libraries currently have to operate, of course. Just so long as no publisher tries to apply the same equivalent duration approach it came up with for library copies of e-books to cassette tapes…

 
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