TeleRead is an online publication offering daily news and opinion about e-books, e-reading, libraries, copyright, and a wide range of other topics related to the many changes taking place in the print and digital publishing industries today.
TeleRead was launched by David H. Rothman of LibraryCity.org, and is now owned by North American Publishing Company (NAPCO). TeleRead is a member of the Technology Tell media network, and is managed and operated by NAPCO’s Consumer Technology Publishing Group (CTPG).
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Paul St John Mackintosh
Sales and Marketing Team
Consumer Technology Publishing Group
Senior Vice President, Sales and Marketing
Consumer Technology Publishing Group
Juli Monroe, Editor-in-Chief
I’m a coach, author and e-book enthusiast. My first “e-reader” was a Handspring Visor Deluxe. I fell in love and never looked back. I read on my phone, on tablets and on E Ink readers. My husband tells me I’m “obsessed” with gadgets, but I think he means that in a nice way.
I graduated from the University of Kansas with a journalism degree, but life took me in various different directions. I’ve worked in corporate America, sold home improvement products and today run my own business in the Washington, D.C., area as a networking and social media coach. And I write for GadgeTell. Can you tell I’m a bit of an over-achiever?
My approach to life and business revolves around building relationships, both in person and online. I use Twitter, Facebook and other online platforms to maintain the relationships I make in-person and to find new friends I’ve yet to meet “in real life.”
But that’s not all. I slice, I dice … wait. Wrong bio.
I’m also a published author. The Enthusiastic Networker (available from Amazon and Barnes & Noble), was published by Crispin Books, and it helps readers find their unique networking presence and voice.
When I’m not networking, blogging or trying to find the mythical “work-life balance,” I work on The Warlock Case Files, an urban fantasy series with a warlock who fights supernatural threats in Washington, D.C., with the aid of his vampire ally. Check out my Amazon author page to keep up with my Warlock series.
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Joanna Cabot, Senior Writer
I’m a journalist, a teacher and an e-book fiend. I started my career as a writer, working in both media and corporate communications. In 2005, I changed directions and spent the year overseas getting my teaching degree—and my first taste of e-book reading!
During a year in small-town New Zealand, where the selection of books was limited and expensive, I found Project Gutenberg and started reading on a Palm PDA. My sister later introduced me to Fictionwise, and from there I progressed to Kobo and Amazon and a whole new world.
Now that I am back in Canada, I work as a French teacher at a K-3 private school. I use drama, music, puppets, props and all manner of tech in my job, and I love it. I enjoy moving between all the classes and having a relationship with each child in the school. Kids are hilarious, and I enjoy watching them grow and learn.
I live in Toronto, where real estate is expensive, so I appreciate that ebooks allow me to buy and own as many books as I want without taking up valuable shelf space in my home. I moved in with my sweetie earlier this year, so I have his stuff to store, too! Thank goodness he’s been bitten by the e-book bug as well. We spent a portion of our first date buying him a Kobo, and between us, we have a tech arsenal of almost a dozen devices with which we can access the net. There’s his computer, my computer, his e-book reader, my e-book reader, a Nexus tablet we share, an iPad we don’t share, his phone, my phone … it’s a great time to be a tech-hound!
My current device of choice for reading is my Amazon Kindle Touch, but I have owned or used devices by Sony, Kobo, Aluratek and others. I also read on my tablet devices using the Kindle app, and I enjoy synching between them, so that I’m always up to date no matter where I am or what I have with me. An iPhone is going to be my next big purchase!
Email: email@example.com ♦ Twitter: @ficbot
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Susan Lulgjuraj, Contributing Writer
There had to be a way to escape the clutter.
That’s when I discovered e-book apps for my old Blackberry. I bought plenty of books and read and read and read. I even developed what I called ‘Blackberry Eye,’ small wrinkles under my eyes from staring down at my phone all day.
After jumping into the digital book world, I haven’t looked back.
Six years later, I have the original Nook, Nook Touch and a Nexus 7. I spend plenty of time reading on my gadgets, but still have the occasional physical book thrown in from the library.
But like any of my hobbies, I always end up wanting to write about them. Writing is my favorite form of expression, and writing about books and the industry came naturally for me.
TeleRead inspired that process. I used Calibre to download posts from the site onto my Nook – and suddenly, a wealth of publishing information was at my fingertips.
In the end, I wanted to know more. It’s what always drives me.
My professional background involves news media. I’ve worked as a sports reporter since 1998 – did I mention I love to write about my hobbies? – and have covered everything from the Super Bowl and the World Series to professional volleyball, car racing and even local rec leagues. I’ve also covered traditional breaking news – hurricanes barreling down on the Northeast, for instance, and the massive blackout in 2003.
I’m currently the football and hockey editor of Beckett Media, covering the trading card and sports memorabilia industry (there goes that hobby thing again). I oversee two monthly publications and create content for the Web. I also have strong digital and social media focuses.
One of the things I love about TeleRead is that it’s a central place to find what’s important about the publishing industry, and I want to use my journalism experience to bring important news to TeleRead’s audience.
If you have any ideas or comments, feel free to email me, or contact me through Twitter.
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Paul St John Mackintosh, Contributing Writer
Paul St John Mackintosh is a British poet, writer of dark fiction, and media pro. He was educated at public school and Trinity College, Cambridge, but modern technology saved him from the Hugh Grant trap.
Paul has lived and worked in Asia and Central Europe, and currently divides his time between Hungary and other hangouts worldwide. His acclaimed first poetry collection, The Golden Age, was published in 1997, and reissued on Kindle in 2013, and his second poetry collection, The Musical Box of Wonders, was published in 2011.
His co-translations from the Japanese include Nip the Buds, Shoot the Kids (1995) by the 1994 Nobel Prize-winner Kenzaburo Oe, and he has co-produced award-winning short films. He is also an official clan poet of Clan Mackintosh.
Paul first got seriously into e-books in Hong Kong, where he spent 12 years doing branding and IR for dotcoms and later as managing editor of the Asian Venture Capital Journal. Hooked on small mobile devices since the days of the Psion 5 and Newton MessagePad 2100, Paul fell for the cheapness and convenience of e-books versus Asia’s overpriced, understocked English bookshops. He has had his ideas, sensibility and attitudes transformed by many e-books in succession, from China Mieville to Peter Watts. He used to be an iPhone fanboy, but the aversion therapy worked.
Paul prefers to write freehand on touchscreens using HWR. His haul of discarded styluses and obsolete portable devices—none of them running their original OS—is embarrassingly large. When not out getting dark and twisted in Eurotrash haunts, Paul reads on his Nexus 7 and a ZTE Skate hacked to Cyanogen Paranoid JellyBean, publishes through Amazon and Henrik Harksen Productions, and blogs at www.paulstjohnmackintosh.com, Faces book at https://www.facebook.com/PaulStJohnMackintosh, and Tweets for democracy @pstjmack.
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Chris Meadows, Contributing Writer
Partly as a result of his longevity in the e-reading scene, and partly due to the fact that he’s simply a whip-smart writer with a pure love of digital reading technology, Chris Meadows has been considered something of a journalistic star in the world of Kindles, Nooks and Kobos for quite some time now. Chris’ always-impressive work can be found all over the Internet, but if it’s a quick and simple author bio you’re interested in, you might consider starting with this post from July 21, 2012, when Chris briefly pulled up stakes at TeleRead to work for The Digital Reader, one of our very favorite e-reading blogs.
Need more Chris? No problem: For his first official post as an on-staff contributor with The Digital Reader, Chris pounded out a fantastic post, My E-Reading Life, is which he delves into his own “personal e-reading background, and what [his] hopes are for the future of e-books.”
Aside from his lengthy reporting and writing career, Chris has also created an impressive catalog of content as a podcaster. Click here to discover episodes of Chris’ The Biblio File, a podcast about books, reading and the publishing industry in general. And click here to check out episodes of Space Station Liberty, Chris’ podcast about Robotech, the American-made sci-fi anime series that first appeared in the United States in the mid-1980s.
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David H. Rothman, TeleRead Founder
Two decades ago, the irreplaceable Project Gutenberg was around, but was most useful to people with Internet connections. The Net-less included me. For myself and the rest of the world, I wanted not just Gutenberg-style public domain classics, but also instant access to many more copyrighted books than I could find at my local public library. I especially craved the right gizmos to read them on.
From just a cause, TeleRead became an Internet-based news and views site, too, and you can read our history below, and even follow links to postings from the 1990s, after I finally got on the Net for real—not merely through CompuServe.
Today I run LibraryCity.org and own variants of the technology that other crazies and I were pushing two decades ago: a 64GB WiFi iPad 3, an antiquated iPad Touch, a Kindle Fire HD, a Onda vi40 Android tablet, and a Kindle 3, with a Paperwhite on the way and Nook and Kobo apps on the iPad. No conspicuous consumption here. Besides wanting to keep up with the ever-changing e-book scene, I love variety in my reading devices. That’s one reason I’m so gung ho on e-book standards, beyond the need for great books not to vanish in a Tower of eBabel.
With the right standards and archiving in place, E could actually last longer than P, and this means plenty to me. Many and perhaps most of my favorite writers are out of popular favor today—for example, Theodore Dreiser, George Gissing and Sinclair Lewis (the latter strongly influenced by another favorite, Dickens). I myself am author of The Solomon Scandals, a Washington corruption novel published both on paper and electronically by Twilight Times Books. A mix of suspense, satire and tragedy, Scandals just might be the only book that ends with a bio-enhanced Afghan Hound doing a Harry Truman imitation at the Cosmos Club. I have no idea if Scandals will be read a millennium from now—I’ll place my biggest bets on Dickens, Jane Austen and Herman Melville—but well-implemented-and-funded digital libraries certainly won’t hurt.
Email: firstname.lastname@example.org ♦ Twitter: @davidrothman
A Brief History of TeleRead
One of the world’s oldest e-book news sites
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TeleRead goes back to the early 1990s, when David H. Rothman, the site’s founder, made a proposition in a Computerworld article for a well-stocked national digital library. In that sense, the word “TeleRead” means a much-evolved proposal for such systems in the United States and elsewhere (tightly integrated with local libraries and schools, as opposed to relying excessively on centralization).
“Let the librarians—most of whom would work for local, state and university libraries rather than TeleRead—live anywhere,” David said, and, in fact, that is the same philosophy of the Harvard-originated Digital Public Library of America. None other than David’s political opposite, the late William F. Buckey Jr., the conservative columnist, wrote two “On the Right” columns in favor of the basic plan.
Of course, “TeleRead” also refers to this site, which covers many e-book-related topics, not just library ones.
To our knowledge, TeleRead is the world’s oldest existing site devoted to general news and views on e-books in addition to libraries, copyright and related matters. David created the word, in an e-book context, by combining “Telecommunications” and “Read.” (Aware of an e-book news-and-views site with even more history than ours? Tell us.)
TeleRead was a powerful voice for e-bookdom—perhaps the leading advocate on the Net, not counting Gutenberg—when most librarians and academics were questioning the practicality of e-books and massive digital libraries. We helped turn them around. Search the databases for citations, and you’ll find the fight in the 1990s for a well-stocked national digital library system and due attention to access issues and popular items—not just academic content—was much lonelier than it should have been. The TeleRead vision as it existed in 1996 was the last chapter of Scholarly Publishing: The Electronic Frontier, an MIT Press/ASIS information science collection. But that happened only because Greg Newby, the collection’s co-editor and Project Gutenberg’s executive director under the late Michael Hart, was an extraordinarily prescient info-populist.
By way of CompuServe and the Net, including the Communet mailing list, David spread his ideas, and over the years he would write further about the TeleRead concept in other places ranging from the Washington Post to the Baltimore Sun, U.S News & World Report, the Web site of Publishers Weekly (for which David was a regular blogger at the time), TheAtlantic.com, the Huffington Post and the Chronicle of Higher Education. Going far beyond the library system, he also called for the popularization of book-friendly hardware. TeleReaders, as David originally imagined them for ComputerWorld, would be multimedia-capable machines with thin, lightweight 12-inch screens and CPUs and memory chips inside, and able to work with detachable keyboards. A bit iPaddish.
With amusement, David remembers how some search engine gurus in those pre-Google days questioned whether the technology was up to the task. David himself was a little on the cautious side two decades ago. “Throughput at the start of the TeleRead project,” he said in Computerworld, in supplying a 2012 scenario for the speeds at the user end, “was as high as 38.4K bit/sec. and now, after 20 years, can exceed 1M bit/sec. in many cases.”
At first the TeleRead “Web page” resided in David’s area of ClarkNet, a commercial ISP and Web hosting company. It switched to the TeleRead.org domain in 1997, and if you visit the Wayback Machine at the Internet Archive, you can see a reproduction from the next year, complete with an Updates section with such headlines as Will Bill Gates Buy The Great Gatsby for the Net—or just Fixate on Software and PCs? and The CVS Syndrome: Will Book-Writers Go the Way of Neighborhood Pharmacists? and A Few Words on Butterflies, Puddles, Rainbow Screens and Electronic Books. In effect David was publishing a blog. He began using actual blog technology in May 2002, wondering how long his words might last in “that most ephemeral medium.”
Then as now, David cared endlessly about the quality of e-book displays, complete with a pointer to E Ink’s thoughts on the matter. Other topics from the early 2000s will be familiar to readers today—for example, e-bookstore wars, the boom and bust cycles of the industry, copyright, e-books and K-12, e-book accessibility for people with disabilities (of special interest in time to Amos Bokros and Robert Kingett, two TeleRead contributors), the role of libraries in society and the disruption of traditional publishing (written on by Sadi Ranson-Polizzotti, to whose small press Saul Bellow was an advisor).
But the topic that really set apart TeleRead, in addition to the repeated calls for well-stocked national digital library systems in the U.S. and elsewhere, ended up being a universal e-book format for reflowable text. TeleRead teamed up on this cause with the OpenReader Consortium, a group led by Jon Noring, a frequent TeleRead contributor, with help from David. OpenReader’s existence in turn jogged the main e-book trade group, the International Digital Publishing Forum, into creating the ePub consumer standard now used by Apple, Sony and other giants. Proprietary DRM, a repeated target of TeleRead commentaries, is why even ePub files are not always readable on various brands of machines. But TeleRead’s battle against it goes on. DRM’s harm to readers and literature alike has led to some of the most impassioned posts by past and current TeleRead contributors, such as Branko Collin, Roger Sperberg, Garson O’Toole, Robert Nagle, senior writer Joanna Cabot and senior contributor Chris Meadows (now returned to TeleRead after a short absence from it).
In 2008, David suffered a heart attack and had to undergo an emergency quadruple bypass, but the site went on almost uninterrupted thanks to Paul Biba, a veteran contributor and a dedicated e-book fan in New Jersey. Two years later David sold TeleRead to the North American Publishing Company (NAPCO) to focus on his health, reading, other writing and a return to his roots as an e-library advocate, which he has done through the LibraryCity.org site, from which TeleRead has often reproduced his Creative Commons-licensed posts. Philanthropist Irvin Borowsky founded NAPCO, and among the Borowsky family’s past holdings was the magazine that became TV Guide—his son Ned runs NAPCO today.
While TeleRead.org is now TeleRead.com, the site still offers its share of news and commentaries reflecting the public interest and society’s cultural needs, as opposed to simply functioning as a trade publication. As a community of readers, not just an echo chamber for the publishing elite, it is all the more valuable to the industry. TeleRead prominently posts community members’ comments in a sidebar on the right of the home page, with older comments grouped together elsewhere. They add considerably to the value of the site. What’s more, TeleRead commenters with good track records can become contributors featured in the main part of the blog—that is how David recruited Paul and others. Commenters and contributors needn’t agree with the community at large. If anyone wants to publish a pro-DRM essay and it’s well-done, TeleRead will post it.
Paul officially took over from David as TeleRead’s main editor in 2010. He left in summer 2012 to focus on other activities, including a cross-country motorcycle tour, and his replacement was another e-book fan, Dan Eldridge. A well-respected travel book author and a seasoned journalist, Dan has freelanced for the New York Times, the Daily Telegraph and other major publications, in addition to serving as a music critic at the Pittsburgh City Paper and copy editor of the Philadelphia Weekly.
—David H. Rothman, TeleRead founder