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ebabel_thumb[1] Shane Richmond, Head of Technology (Editorial) for Telegraph Media Group, has an editorial in the Telegraph about the way that DRM breaks up even the same file format of e-books into a Tower of e-Babel. He tried to open Adobe-DRM EPUB files in iBooks and of course was told that wouldn’t work.

Richmond writes:

Can we pause for a moment to remind ourselves just how absurd this situation is? It’s been a problem for so long that sometimes it’s easy to take it for granted but we are being sold products that work in one set of circumstances but not others. And there’s no good reason for the distinction. It’s not as if this is a piece of software that needs to be re-written for each new platform – it’s just text.

The limitation is artificial and it’s only there to prevent unauthorised copying but it’s a wasted effort because anyone who intends to share these books can remove the DRM in no time. As always with DRM, it’s the law-abiding customer who gets punished.

He goes on to explain how he used txtr to get around the Adobe DRM by uploading the e-books to its servers and then downloading them into the iPad app. He isn’t wholly satisfied with that solution, but supposes that “it’s a choice between that or nothing.” (He apparently didn’t investigate far enough to find one of the cracks that allow Adobe DRM to be removed while keeping the book in EPUB format, which would have allowed loading them directly into iBooks.)

Richmond compares the current situation of having his books spread across multiple e-book apps to “having bookshelves in four different rooms and not being allowed to move books between them”—a situation with which I can sympathize, given that I’m now having to diversify my own e-library since eReader and Fictionwise can no longer carry the titles I want to read.

Ironically, Richmond says, all content industries vow not to repeat the digital mistakes of the music industry—but the music industry has actually been getting its act together, while books, film, and TV continue to make it hard for consumers to enjoy their products.

None of this is exactly new, of course, but it is still nice to see it continues to be said. Maybe if enough people speak up, the content industries will begin to pay attention. It probably won’t happen, but we can dream, can’t we?

 
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