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IBooks

Cartoonist Bill Amend releases $1.99 FoxTrot mini-collections on iBooks store, explains why
April 19, 2012 | 12:20 am

ScreenClip(38) Bill Amend of popular comic strip FoxTrot has recently begun offering a series of $1.99 100-strip mini-collections via the iBooks store. Created using Apple’s iBooks Author, the e-books are “short and curated primarily for an entertaining read on the go,” says Amend in an interview with TechCrunch. The collections came about, Amend says, after he had looked into e-book publishing but found most existing comic strip apps seemed too clunky and he didn’t have the wherewithal to roll his own. Then iBooks Author came along and allowed him to create his own e-books. The paper books will...

Apple rejects Seth Godin e-book over Amazon links
February 29, 2012 | 12:23 pm

On PaidContent (in a post republished from his Domino Project blog), Seth Godin reports that Apple’s iBooks has rejected one of his e-books because it includes Amazon links to purchase the books he lists in the bibliography. He writes: We’re heading to a world where there are just a handful of influential bookstores (Amazon, Apple, Nook…) and one by one, the principles of open access are disappearing. Apple, apparently, won’t carry an ebook that contains a link to buy a hardcover book from Amazon. That’s amazing to me. It must be a mistake,...

iBooks DRM reportedly cracked
February 23, 2012 | 2:15 pm

A MobileRead thread reports that the Requiem FairPlay DRM-cracking app now removes the DRM from Apple’s iBooks EPUB e-books, in addition to the music and video DRM-removal that it already did. Follow-up comments express skepticism that Apple will let it stand for long without changing their DRM to block it, or that it will make much difference where people buy their e-books since most people don’t care about DRM. For myself, it would make me a touch more tempted to buy e-books from Apple if I knew I could then render them platform-agnostic—except given that most nonexclusive e-books...

Apple clarifies iBooks Author EULA, only claims commercial rights over .ibooks format
February 3, 2012 | 9:37 pm

Fair’s fair. If we get upset over something Apple’s done, we should also mention when they fix it. So, remember the kerfuffle over Apple apparently claiming rights in the user agreement over commercial sale of any e-book created in iBooks Author? Well, Ars Technica reports that Apple has just released a patch to the app, and iBooks Author v1.01 includes a clarification in the EULA: it specifically covers only e-books generated in the interactive .ibooks format. (Emphasis mine.) If you want to charge a fee for a work that includes files in the .ibooks format generated...

Will Apple’s January event usher in new e-self-publishing program?
January 4, 2012 | 8:15 pm

Rumors have been flying about the Apple event announced for later this month. It seems pretty obvious that it’s about time for a new iPad to make the rounds, of course, but Good eReader thinks that Apple is going to announce a new self-publishing platform. “Sources close to the matter have told us that they intend on launching a new digital self-publishing platform to get peoples content into the iBookstore,” writes Michelle Kozlowski. She notes that it’s currently possible for independent authors to get on the iBookstore through Smashwords, but the Apple program will be designed to give authors...

Baen Webscriptions is now BaenEbooks.com
January 4, 2012 | 7:36 pm

Baen has rebranded its Webscriptions program, changing the name of the site to BaenEbooks.com, redesigning its look, and renaming the monthly e-book package program to “Monthly Baen Bundles”. All account information and previously purchased bundles will remain the same under the new site, though users who have set up their Kindles to receive e-books by e-mail will have to authorize a new email address. Sadly, with this change Baen is no longer providing OPDS catalog support for downloading e-books directly to Stanza. This is disappointing given that some people (such as me) don’t have iOS devices recent enough to...

Apple’s iTunes Connect publishing platform closes for the holidays
December 23, 2011 | 5:15 pm

One of the benefits of electronic media is that e-book stores are never closed for the holidays—at least for purchasers. But in some cases, for publishers, it’s another story. EbookNewser reports Apple’s iBookstore team sent an email to iBookstore sellers letting them know that the iTunes Connect app and e-book publishing platform is down from now until Thursday, December 29th for the holidays. It will not be taking any new updates during this time, and scheduled releases and pricing changes will be delayed. The iBookstore team wrote in an email to iTunes Connect users: “ We...

iBooks interactivity offers potential for publisher product placement
December 16, 2011 | 4:15 pm

yellow_submarineOn FutureBook, Richard Stephenson has a brief piece looking at the interactivity now possible in iBooks. Since iBooks 1.5 supports Javascript, this means that e-books can take upon themselves abilities formerly associated with stand-alone appbooks. Stephenson uses the example of the Beatles Yellow Submarine iBook, available for free from the iBookstore, which uses embedded Javascript to add interactivity. He suggests that this interactivity could be a great way for publishers to add additional revenue streams, such as the ability to purchase music from within the Yellow Submarine book. While I will admit that it’s good to see...

DRM turns e-book experience into confusing maze of incompatibility and missing features
October 31, 2011 | 10:32 pm

PBS’s MediaShift is running a series on e-books this week, and not all the articles are as lame as the one I talked about earlier asking whether Amazon was short-changing authors. MediaShift’s business columnist Dorian Benkoil wrote a lengthy column complaining about the annoying maze of incompatibility and missing features that purchasers of DRM-locked mass-market e-books have to face. When given a book he wanted to read, Benkoil went looking for an e-book version that he could both read and have read to him, and thought that Google, which is pretty open, would have the best version—but was...

Apple issues corrected version of Steve Jobs biography iBook
October 26, 2011 | 12:15 pm

jobs_biographyI’m not sure whether you can really call this “ironic”, as misused as that word often is, but it’s certainly amusing. Apple has notified some purchasers of the Steve Jobs biography e-book on iBooks that they should delete the current version and download a new version at no charge, Macworld UK reports. Apple confirmed to Macworld that the emails were genuine and the instructions were to fix formatting problems suffered by a small number of customers who had downloaded the iBook. No changes have been made to the content. Of course, this sort of...

Kobo could be best international e-reader
October 16, 2011 | 11:59 am

At FutureBook, “namenick” has a post explaining why he sees Kobo as being much better-suited than Amazon or Apple for international expansion. In short, Kobo has much better international content availability. Where Amazon has been opening separate stores for various different countries and languages (most recently a French store), Kobo makes all content for all languages available from the same store. One example which shows why Kobo is ahead of iBookstore or Kindle Store – Smashwords. Books from Smashwords are theoretically available at Kindle Store, Kobo and iBookstore. The deal with Amazon doesn’t seem...

Steve Jobs talked content-owners into a new digital market
August 30, 2011 | 2:15 pm

On PaidContent, Charles Arthur brings up one of the important facets of Steve Jobs’s legacy that tends to get overshadowed by Jobs’s hardware successes. Quite apart from all the gadgets Jobs designed, he also designed a new business model for the music industry: the 99-cent song. The headline of Arthur’s article suggests that Jobs’s great success was “persuading the world to pay for content,” but the article itself seems to take the opposite tack: the world was ready to pay for content, but Jobs’s success was in persuading the content-owners to sell it digitally. Arthur explains that...